Film Noirs Effect on Modern Cinema Essay -- Movies France Films Essay

demand Noirs Effect on Modern CinemaHigh heels click on miserly pavement, shady detectives stand in the shadows, shots ring out by the cold, inglorious city night-just another moment in subscribe noir. These seedy, virtually underground films are considered to be or so of the best and most important pictures in the history of Hollywood by anyones standards, most certainly some of the darkest. Even though the glory days of film noir have languish passed and given way to big budget productions, their influence and effect on the industry can be felt and seen throughout the movies of today.The term film noir is a cut term literally meaning, black cinema. During the second humanity war occupying Germans would control what pictures the people of France saw, and it was not until after the war that the French got a glimpse of what American cinema had been doing for nearly five years. The head start thing they noticed was how dark the films were both literally and figuratively thus the name black cinema 1. Critics were shocked to see fleck lines focusing on betrayal, murder, and topics sight to be taboo at the time including drug use and rape. These films were then revolutionary in their time, pushing the limits of what was thought to be acceptable on a motion picture screen in America during the 1940?s and 1950?s.There will be more detail on the plot lines of film noir, as well as examples. But for now, let us focus on the memorable characters introduced to the viewing public through the dark lens of a noir camera. The most prevalent was often the hard boiled detective or private eye, always a male he was considered to be an anti-hero because he was himself no angel and was often corrupt someway (the most common example was fall... ... and there. However, it is allowed to come out of the shadows as the undefiled movies have an enormous following of fans and students wanting to study them and the techniques used to ingest them such unique l ife. No matter what though, these films will never go away so long as there is a wet side street with high heels clicking down it, with the echo of a farthest off gunshot somewhere in the cold dark night. whole kit and boodle CitedMiklitsch, Robert. ?A Panorama of American Film Noir, 1941-1953?. Film Quarterly, Berkeley Summer 2004. http//proquest.umi.com/pqdweb?index=3&did Dirks, Tim. ?The Greatest Films-Film Noir?. http//www.filmsite.org/filmnoir.html No author. ?The Internet Movie Database- The Matlese Falcon/Cape alarm/Double Indemnity http//www.imdb.com Dirks, Tim. ?Review- Blade Runner (1982).? http//www.filmsite.org/blad.html